Around the back there are three sets of terminals, so it’s possible to tri-wire or even better, tri-amp. A 23cm woofer with a stiff fibre and resin composite cone produces the lows and is tuned by a large, front facing port. The loudspeaker aims to bring the performance of ATCs well know. Go ATC if you want a surgical mix tool and don’t care about the rest. ATC launch the ATC SCM25A, the companys first compact 3-way active studio monitor loudspeaker. Already had one replaced right away due to buzzing / rattling sound from inside, when playing low sine wave, around 50-70hz range, at a medium (but not overly loud at all) volume. The brand also has firm ideas about using hard cone materials such as aluminium – it doesn’t like them because they ring – so it comes as no surprise to find that the 25mm tweeter and 75mm midrange unit both use well-damped fabric dome diaphragms. Considering the 6-2 is slightly cheaper then the 25a, I would go with them if you want more of a listening experience and more punch in a production environment. ATC SCM25a - Acceptable Noises / Distortion in low end. When improvements are possible the company usually follows through, and it has carefully evolved the SCM50s through the years. Anyways, only ATC knows if it will happen. ![]() The company’s engineers value low distortion and dynamic ability, and have spent years developing these units, only putting them into production when they are sure that every box has been ticked. The SCM20ASL and SCM25A enclosures have almost identical dimensions (within an inch or so), so if you make the SCM25A bigger the SL woofer will fit just fine IMHO. But these things are not ATC’s only aims. Ive been debating between PSI, Focal and ATC monitors for a. The company’s background is firmly planted in the Pro world where reliability and high power handling are essentials. ATC SCM25a vs ATC SCM20a mk2 When you buy products through links across our site, we may earn an affiliate commission.
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